Shooting in any public locations with lots of potential interferences can be an utterly hopeless nightmare, unless your unit production manager is the tough and amazing Shinji Haseyama (left). He can take care of cops, gangsters, motorcycle gangs, drunks and even a white cat that walks into your set. Leave it up to legendary location manager Etsuhiro Deguchi (center) to secure a free empty theater on a national holiday when nothing is available anywhere around Tokyo, or to find streets with the perfect view. You’ll never go hungry with the ever smiling key production assistant Hiroshi Kimura (right) who provides you with catering where you want to have both choices on the menu.
車や人通りの多い公共の現場での撮影は、まさに悪夢。でも、タフな制作担当の長谷山慎治さん(右)がついていれば絶対安心。通行人、酔っ払いや暴走族、現場に紛れ込んだ白い猫までも難なく対応。伝説の制作主任出口悦寛さん(中央)。撮影できる劇場が首都圏に一つも空いていない海の日でも、使える劇場を確保。脚本のイメージにピッタリの道路も見つける。常に笑みを絶やさない制作進行の木村広志さん(右)。いつも、美味しいロケ弁を提供。
映画『脇役物語』オフィシャルブログ
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